" In Bert's unique PLYART technique, conditions are created in which unintentional and random are free to operate. The endeavour is organized by rules that arise not from pre-determined structures or codes of perceptual relationships, but from the ineraction of thought with the processes of activity.
He gives process it's own triumphant statement, while still creating concrete, iconic paintings in which neither representation nor abstraction from or apart nature is present.
For Hechanova, it is not gestural emphasis that is important, but de- emphasis, the deconstruction of the painting field."
In asserting the numerous powers of sub-surface, Hechanova prevents the painting from being read synchronically, but forces not to be seen as a diachronic instrument for an understating of the stages of completion."